Wednesday, April 30, 2003
France, the US, and appeasement | ![]() |
For several months, some of my compatriots have been kicking around a discussion on ethnic problems in France. Bad Thoughts, who has actually spent time in France, and is an actual historian of French history and therefore knows many things I don’t about the field, had some interesting insights. Follow the link and scroll down. He’s a thoughtful and unique thinker anyway.
Namely, he argues that France’s foreign policy toward the Middle East is shaped by how the government thinks the large Muslim population would react. Fair enough. He also provides evidence for a parallel argument, that US foreign policy toward Africa is shaped by how the government thinks the African-American population would act.
Excerpt:
Tuesday, April 29, 2003
I thought I’d take | ![]() |
this comment thread (from my comment on Pilgrim’s Progress and Uncle Tom’s Cabin) and haul it onto the main page:
Two-Cents:
Why is that a bad thing? UTC was the best-selling novel in American history. Be careful. You might own the fields of politics, political philosophy, military history, space, technology, and modern jurisprudence, but if you’re talking about women in 19th century US culture, you’re in MY house.Buckethead:
The weekly world news is the eighth largest circulating newspaper in the world.
Two-Cents:
What is your problem with Uncle Tom’s Cabin? Not to pull a moral-relativism move here, but it was hot shit back in the day. I’ve read it. I see the problems with it, seen from today’s perspective. But honestly, why is it a not-great book?
I mention its sales figures, not by way of measuring its worth as literature, but as a way of measuring its effect on the world, and its success in encapsulating the key debates of its time.
Remember what Lincoln said to Harriet Beecher Stowe when he met her: “So you’re the little lady who’s caused all these big problems.” More than being a literary triumph, UTC was an important cultural landmark. It better have been, because as a piece of writing it’s not so hot. Talk about turgid! Innocent blonde babies, a Christ like black protagonist, the evil slaveowners! Everyone’s a cartoon.
But, as I say, it was a cultural watershed. Stowe, who was obviously an abolitionist, took all the polemics of Garrison and his group and fit them into the acceptable framework of a suitably dewy romantic novel. It’s not the writing that made this book great-- it was that Stowe in one fell swoop collected and restated all the tenets of radical abolitionism, with the internal contradictions nicely papered over, in a way that was eminently palatable for nineteenth-century audiences.
Moral ‘suason wasn’t generally as effective as people think. But, this is one instance in which it was a thundering success. Regardless of its dated-ness and its shortcomings, it’s a “great novel,” even more so because it can teach an alert reader so much about the United States in the pre-Civil War era.
Buckethead:
But, as I say, it was a cultural watershed. Gibson, who was obviously a dystopian, took all the ideas of Bester, Brunner and their group and fit them into the acceptable framework of a suitably dewy sf novel. It’s not the writing that made this book great-- it was that Gibson in one fell swoop collected and restated all the tenets of radical futurists, with the internal contradictions nicely papered over, in a way that was eminently palatable for late twentieth-century audiences.
This relates to an earlier conversation, the difference between importance and greatness. Neuromancer was fun, but I don’t think it was a great novel. As the first cyberpunk novel, it is important, at least within the genre. UTC was important to America and the world, and it is a useful source for studying early nineteenth century America. But it isn’t a great novel. It’s an important novel. It’s a cultural watershed.
Most novels teach us a lot about the time that they were written - manners and mores, fears and hopes, misconceptions, the whole deal. But only a few are great.
Really? | ![]() |
Thousands of dollars? Were you attacked by the scientologists as well?
Battlefield Earth isn’t fiction | ![]() |
And I’ve spent thousands of dollars finding that out.
Oh, oh, oh, I forgot the greatest speculative fiction novel ever | ![]() |
The Communist Manifesto/Das Kapital duology
No, really, the best sf novel ever (and movie) is | ![]() |
Battlefield Earth
Top five Science Fiction Movies | ![]() |
Matrix
Bladerunner
Fifth Element
2001
Star Wars
Metropolis
Clockwork Orange
Terminator
Galaxy Quest
Star Trek II: Wrath of Khan (even though it rips off Run Silent, Run Deep)
Destination Moon
Invasion of the Body Snatchers
The Day the Earth Stood Still (Klaatu Barada Nikto! Gort!)
Casablanca
Casablanca belongs on any list of great movies, because it’s so damn cool.
If I really wanted to be mean, | ![]() |
I’d start comparing Neuromancer to Pilgrim’s Progress or Uncle Tom’s Cabin
HGTTG isn’t fiction |
You’ve just pointed out | ![]() |
Another reason why Gibson is derivative. Sure, Neuromancer is a landmark book, and I very much enjoyed reading it. But Sterling and Williams are better writers. At least in their books that made the list. I’d rather read real Phillip K. Dick, or Raymond Chandler, than most Gibson. I think Shockwave Rider is better written than Neuromancer. Gibson has stylistic flair, but that’s all he has. Sterling neds to write more sf, ‘cause he has the mojo.
I am willing to include Snow Crash on the list for one reason, though - by perfecting, inflating, lampooning and puncturing the cyberpunk sub-subgenre with one masterful novel, we no longer have to read stylistically derivative, politically uninformed, dystopic, carbon copy fantasies. We can ignore them.
Or maybe I am a Luddite | ![]() |
As a (low-ranking) member of the technocratic elite that rules the world, I write, among other things, software manuals, process documentation and other things that are never read by my company’s clients. I have to constantly fight the temptation to introduce small inconsistencies, errors and jokes into my work. The most that I allow myself is extremely subtle irony. Maybe that temptation is similar to the need textile workers once felt to throw shoes into the apparatus.
Dawn of the Duct-Tape Warriors | ![]() |
Buckethead, fair enough. I haven’t read the Brin on your list, and I will admit that the ending of The Postman, which used a deux ex machina, was not quite up to the rest of the book.I read I, Robot when I was about twelve, and it is what first kindled my inner fire of geek. So, propers are due there.
As for abuse of cyberpunk concepts by Gibson and Sterling, you’re just baiting the Johnny-bear. Shockwave Rider was a very good book indeed, and advanced many of the same ideas earlier, but Neuromancer especially is the better book. It’s not everybody’s cup of tea, to be sure, but the atmosphere, ideas, and details really killed me-- it’s like “The Long Goodbye” as re-written by Philip K. Dick. I will admit though that Shockwave Rider does have a better plot.
Regarding Fantasy novels: Dude, you are such a geek. Not that I’m any better. I really dug Katherine Kurtz’ first Saint Camber trilogy.
I am not… | ![]() |
...Pretentious
More Science Fiction, and some [gasp] fantasy | ![]() |
I would agree to items #a, III and four of Johnny’s list. I’ve already explained why Snow Crash didn’t make it to my list, and the same applies to Brin’s Postman. I thought I, Robot sucked, three stupid suggestions for automata notwithstanding. Never read Pynchon, so can’t say. However, his list reminded me of a couple other books:
If I could establish a precedence in my list, Brunner’s book would be near the top. An ur-cyberpunk novel that prefigures most of the concepts later abused by Gibson and Sterling. Whirlwind is a better novel than Neuromancer.
On to fantasy - my top five fantasy novels/series:
I also enjoyed The Chronicles of Thomas Covenant the Unbeliever, by Stephen Donaldson; the Belgariad by David Eddings, Riftwar, by Raymond Feist; The Silmarillion, by Tolkien; and little else. American Gods would be on this list, were it not on the other one.
Turgid And Pretentious Things… besides this weblog | ![]() |
Since you asked, the most turgid and pretentious turd in Anglophone literature, bar none, is Infinite Jest, by that charlatan David Foster Wallace.
[pre-emptive update]: Speaking of David Eggers, you should all read this McSweeny’s piece, which is a transcript of unused bonus audio commentary for the Fellowship Of The Ring DVD by Howard Zinn and Noam Chomsky.
[further update] Lest I seem the philistine, I should point out that “A Heartbreaking Work of Staggering Genius” is the only fiction book I have ever flung across a room in disgust. A library copy, too. Hey, at least I tried.







